“It’s pretty affordable and it’s a great little portrait lens,” she enthuses.Ĩ-15mm USM Fish Eye Lens, 1/400 sec, f/10, ISO 400 Often you have to take 10 steps back to shoot with it, but it gives you a different depth effect that I really love and because it’s f2.8 it’s also good for shooting fast objects, like moving animals.”įor portrait photography, Jules’ uses the EF 50mm f/1.4 USM. If people ask me for recommendations, and they’re only going to buy one lens, this is the one I always recommend.”ġ6-35mm USM Lens, 1/100 sec, f/5, ISO 125Īnother favourite is the EF 70-200 f/2.8L. At 24mm you can get a decent wide shot, but still zoom in.
#HAT ON HEAD UNPACKING FULL#
“This a really good all-round lens to take if you’re going on holiday and don’t want to pack a bag full of lenses. The other lens that gets a workout on Jules’ camera is the EF 24-105mm f/4L IS II USM. This is my ‘go to’ lens for landscape photography where you want wide shots but have the option to crop in-it’s sharp! It’s definitely on my camera 75 per cent of the time,” Jules says. “For what I do, I’d use it at f22 more than I’d ever use f2.8. It’s from Canon’s L series range, comes with an image stabiliser and, although it’s more affordable than its f/2.8 equivalent, Jules says there’s no compromise to the quality.
Her favourite lens is the wide angle EF 16-35mm f/4.
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Of course, you still have to know how to set up the camera and what you’re shooting but if I took the exact same photo on a 60D and a 5Ds or 1DX, I’m going to get a very different result,” Jules said.Ĩ-15mm USM Fish Eye Lens (with aquatech housing), 1/400 sec, f/4, ISO 125 “All the things I can do ‘in camera’ with my full-frame, for example changing the white balance, give me a better result. New to her stable is Canon’s top of the line professional camera, the EOS 1DX Mark II, which Jules brings out when she needs a ‘faster’ camera and for low light conditions. “It gives me really crisp, clear images, and, for some reason, the colours just seem to come out the way I like them,” Jules said. In fact, she sold it to fund the purchase of her EOS 5Ds, which is her workhorse and favoured for landscape photography. Well, that 60D she originally owned is long gone. Jules now writes and photographs for newspapers and magazines as well as tourism boards all over Australia. And while those holiday location shoots look glamorous, the alarm clock goes off at 4am every morning and Jules often finds herself editing photos well into the night. From there, I was approached by Tourism Queensland to attend a photography trip in the Whitsundays and the opportunities opened up.” Jules Ingallīut while success came quickly for Jules, it wasn’t without an enormous amount of dedication to her craft and hard work building her profile. The reason I kept going was because of the like-minded people in the Canon community and I enjoyed going so much that over time I grew as photographer. “I’ve always had an interest in photography but when I went to my first workshop, I was only shooting for fun.
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